Luiz Bonfá – Passeio no Rio (1960)

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Originalmente postado no Loronix em 09 de maio 2008.
Comentários originais incluídos.

Hello, good morning! Yesterday I was very tired; life has been really busy down here. And when that happens, the day always ends in the worst possible way, by accident; I slept on the sofa reading the back cover of this beautiful EP sent to us by Jorge Mello. I feel in the obligation of sharing this one in this extraordinary morning post.
Let’s see.

This is Luiz Bonfa – Passeio no Rio (1960), for Odeon, featuring four songs, including the anthological Luiz Bonfa’s Manha de Carnaval, with Luiz Bonfa singing.

I could not check if these songs were recorded exclusively for this 7-inch EP, which is something that I will let you identify, I’m late for work and must leave in a second.

Have a good day and do not miss another Brazilian music night at Loronix today.

Tracks include:

01 – Manha de Carnaval (Luiz Bonfa / Antonio Maria)
02 – Passeio no Rio (Luiz Bonfa)
03 – Samba de Orfeu (Luiz Bonfa / Antonio Maria)
04 – Mosaico (Luiz Bonfa)

0 Comentários originais

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Ary Barroso e Dorival Caymmi – Ary Caymmi Dorival Barroso | Um Interpreta o Outro (1958)

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Originalmente postado no Loronix em 08 de maio 2008.
Comentários originais incluídos.

 It is possible that you think I am creating these facts just to add some drama to my writing, but it is absolutely true when I say this album was among those who could not be recovered in the reconstruction of the links and it is made available again by another contribution sponsored by Jorge Mello.

Thanks Jorge, I was really afraid to announce this weekend this anthological album was missed and now I’m really glad to bring it back to Loronix.
Let’s see.

This is Ary Barroso e Dorival Caymmi – Ary Caymmi Dorival Barroso | Um Interpreta o Outro (1958), for Odeon, featuring Ary Barroso performing Dorival Caymmi repertoire at the piano and Dorival Caymmi playing violao and singing Ary Barroso standards,is a beauty of an album that never had the chance of a CD reissue

Ary Barroso piano is beautiful and Dorival Caymmi singing Ary Barroso music is fascinating. This cover is also amazing showing Ary Barroso at Dorival Caymmi’s universe, completely lost as a fisherman and Dorival Caymmi having a lot of fun of Ary and wearing the colors of Flamengo. I hope you have the same pleasure I had this week spinning this album after a long time.

Tracks include:

01 – Lá Vem a Baiana (Dorival Caymmi) by Ary Barroso
02 – Risque (Ary Barroso) by Dorival Caymmi
03 – Maracangalha (Dorival Caymmi) by Ary Barroso
04 – Por Causa Desta Cabocla (Ary Barroso / Luis Peixoto) by Dorival Caymmi
05 – João Valentão (Dorival Caymmi) by Ary Barroso
06 – Inquietação (Ary Barroso) by Dorival Caymmi
07 – Na Baixa do Sapateiro (Ary Barroso) by Dorival Caymmi
08 – Marina (Dorival Caymmi) by Ary Barroso
09 – Maria (Ary Barroso / Luis Peixoto) by Dorival Caymmi
10 – Dora (Dorival Caymmi) by Ary Barroso
11 – Tu (Ary Barroso) by Dorival Caymmi
12 – Nem Eu (Dorival Caymmi) by Ary Barroso

2 Comentários originais:

Anonymous on Thursday, 08 May, 2008
There was a CD reissue of this album as part of the 7 CD-Box of Caymmis Odeon records called “Caymmi Amor e Mar” in 2001.

bolingo69 on Thursday, 08 May, 2008
Well like I already wrote in another comment. The files here are someone else (Luiz Bonfa and Norma Suel) interpreting someone else  I hope that after you have rested well after your marathon restauration of this wonderful site that I now consider such a wealth of resources that it also restores my faith in mankind to no small degree!
I look very much forward to hearing “Ary Caymmi e Dorival Barroso” and I wish you good success in finding the right files! I am now sure you must be overworked from your .rar .zip etc. marathon!!

You certainly have added to the drama with this one 
With my heartfelt regards
bolingo69
(just another bird!)

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Radamés Gnattali – Concerto Carioca Nr. 1 (1965)

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Originalmente postado no Loronix em 06 de maio 2008.
Comentários originais incluídos.

Hello, good evening! Before presenting another special release sponsored by our great collaborator Jorge Mello, I would like to announce that we are very close to finish the work of reconstruction of all Loronix archive, and this is really great. What initially was considered a difficult and exhausting accomplishment became a unique opportunity to review all posts on an amazing, funny and really useful virtual tour of Loronix past.

I confess that I will miss these days and also the new resources created to monitor the work in progress, such like the small screens with links to the last finished weeks. These screens were really useful to motivate people to monitor the work in progress, getting along with albums that they never could have the chance without this event. I think less then a few days are necessary to have everything finished.

Meanwhile, I think it is time to check this beautiful album recorded by Maestro Radames Gnattali in 1965 in commemoration of 400 years of Rio de Janeiro city, featuring a fantastic participation of a very special guest, the legendary Ze Menezes.

Let’s see.

This is Radames Gnattali – Concerto Carioca Nr. 1 (1965), for Continental, featuring the piano and compositions of Radames Gnattali, Ze Menezes guitar and Orquestra Sinfonica Continental, conduced by Henrique Morelenbaum. This is a self-explanatory release, Concerto Carioca Nr. 1 is among the most acknowledged works of Radames Gnattali and the participation of Ze Menezes guitar is really worth checking.

Tracks include:

01 – 1º Movimento – Abertura Marcha-Rancho (Radames Gnattali)
02 – 2º Movimento – Canção (Radames Gnattali)
03 – 3º Movimento Valsa Seresteira (Radames Gnattali)
04 – 4º Movimento “Final” Samba (Radames Gnattali)

3 Comentários originais:

jorge mello on Tuesday, 06 May, 2008
No livro “Radamés Gnattali, o eterno experimentador, de Valdinha Barbosa e Anne Marie Devos, este concerto foi composto para as festas do IV Centenário do Rio de Janeiro- homenagem a Laurindo de Almeida. Ainda de acordo com a mesma fonte, este Concerto foi apresentado pelos solistas e a OSTM no Theatro Municipal em 30 de março de 1965.
Radamés,nosso grande “maestro mais que soberano” conjugava o binômio qualidade e produtividade de maneira exemplar. Sua contribuição a Musica Erudita Brasileira é significativa e por várias vezes escreveu concertos e peças ligeiras para instrumentos tidos como populares, tais como o violão, gaita, acordeom e bandolim.
Cercava-se, para isso, de grandes instrumentistas como Edú da Gaita, Jacob do Bandolim, Chiquinho do Acordeom, Dilermando Reis,Laurindo Almeida, Garoto e José Menezes. Sobre este último, Radamés disse(ver Radamés Gnattali, de Aluisio Didier) que:” Toca tudo o Menezes:Cavaquinho,bandolim, guitarra, violão e é ainda um bom improvisador. Ele é lá do Nordeste e sei de uma história que o Padre Cícero botou a mão na cabeça dele”.

Guitarist on Tuesday, 06 May, 2008
Amazing! It is fantastic to find so much rare guitar repertoire at loronix, among so many fantastic popular records. Only Gnatalli could merge concert and popular music so well. This must be one of the very first electric guitar concertos, yes?

Alexandre Dias on Wednesday, 07 May, 2008
Excelente post, Zeca Louro. Obrigado.
Você por acaso possui o disco “Cantares Brasileiros II – A Valsa”? Seria uma contribuição ótima, pois é um disco que nunca consegui achar. Tenho o Cantares Brasileiros I – A Modinha, que é impressionante (e aliás conta com a participação do Radamés em várias faixas, inclusive tocando cravo, e acompanhando a Nara Leão). Também seria um ótimo adendo. Ambos os discos são promocioniais, e até onde sei, nunca foram comercializados.

Um abraço

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Sylvia Telles – Amor de Gente Moça | Musicas de Antonio Carlos Jobim (1959)

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Originalmente postado no Loronix em 25 de julho 2007.
Comentários originais incluídos.







 I felt the same pleasure when reposting the last Elizeth Cardoso – Noturno (1957), as I had when it was made available for the first time a year ago. I’m also feeling very good on making this one.

Amor de Gente Moca is another fantastic record released more than a year ago that was sleeping on a given day of June 2006. It is time to bring this amazingly out of print album to the spotlight, calling attention to Loronix new and old friends.

Cover artworks are improved and the music was ripped with zecalouro supervision. FLAC files are also available.

Loronixers acclaimed Sylvia Telles in the past and now it is time to celebrate her music again.

This is Sylvia Telles – Amor de Gente Moca | Musicas de Antonio Carlos Jobim (1959), for Odeon. I’m proud to own the Odeon original issue in a very good condition, the reason for this reposting. Sylvia Telles performs with orchestra the Antonio Carlos Jobim repertoire. I do not have knowledge to describe Sylvia Telles singing from a technical perspective, but she has that “thing” that belongs to less than a few gifted singers I have ever heard before. Amor de Gente Moca is directed by Aloysio de Oliveira, arranged by Maestro Gaya and has Orchestra conducted by Maestro Oswaldo Borba.

Tracks include:

01 – Dindi (Tom Jobim / Aloysio de Oliveira)
02 – De Você Eu Gosto (Tom Jobim / Aloysio de Oliveira)
03 – Discussão (Tom Jobim / Newton Mendonça)
04 – Sem Você (Tom Jobim / Vinicius de Moraes)
05 – Fotografia (Tom Jobim)
06 – Janelas Abertas (Tom Jobim / Vinicius de Moraes)
07 – Demais (Tom Jobim / Aloysio de Oliveira)
08 – O Que Tinha de Ser (Tom Jobim / Vinicius de Moraes)
09 – A Felicidade (Tom Jobim / Vinicius de Moraes)
10 – Canta Canta Mais (Tom Jobim / Vinicius de Moraes)
11 – Só Em Teus Braços (Tom Jobim)
12 – Esquecendo Você (Tom Jobim)
 

5 Comentários originais:

jose on Thursday, 26 July, 2007
Grande Psitacídeo,

Parabéns e obrigado por mais um disco desta que considero a mior cantora brasileira de todos os tempos.
um grande abraço

jamil on Thursday, 26 July, 2007
Tem Flac também, puxa, melhorando sempre é isso ai.
[]s
Jamil

Mauro R.V. on Tuesday, 07 August, 2007
Disco maravilhoso!
Escutei varias vezes já.
Imperdível!

Colin on Saturday, 03 November, 2007
This album is beautiful. The melodies / relaxed arrangements feel totally uncontrived, really organic.
To use a cheesy cliche, it’s like the songs have exsisted since the beginning of time. Really nice voice. Been a long time since i downloaded this but keep coming back to it. Over all, i know nothing of Sylvia, and anything i know of music of Brazil is mostly thanks to Loronix, but it sounds like a classic album to me.
Many many thanks, as always

Joakim on Wednesday, 02 January, 2008
A wonderful album, thanks a lot! Sylvia has a voice that is similar to Sweden’s best jazz singer Monica Zetterlund.

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Sylvia Telles – Caricia (1957)

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Originalmente postado no Loronix em 05 de maio 2008.
Comentários originais incluídos.
Bonus: arquivo em FLAC

Hello, good evening! Jorge Mello was very right providing this important record to our community. It is also a great coincidence that it is among the few albums definitely lost in my work of reactivating the missing links.

Actually, this is perhaps the most important of them all; Carícia is the debut LP of a singer that I learned to admire with Loronix creation, Sylvia Telles.
Let’s see.

This is Sylvia Telles – Caricia (1957), for Odeon, with the participation of a young musician named Antonio Carlos Jobim as arranger and conductor on two tracks, the opening track 01 – Por Causa de Voce and the closing 08 – Foi a Noite.

Maestro Leo Peracchi is also in charge of arrangements and conduction of track 06 – Chove la For a. Odeon did not credit the remaining five tracks. Caricia features Antonio Carlos Jobim songs that became standards in the following years and Sylvia Telles delivers stunning performances. I think that even those who had already the chance to listen to Caricia in the first post should make this update, now featuring high quality front and back cover scans.

Tracks include:

01 – Por Causa de Você (Tom Jobim / Dolores Duran)
02 – Sucedeu Assim (Marino Pinto / Tom Jobim)
03 – Tu e Eu (Altamiro Carrilho / Armando Nunes) with Lúcio Alves Candinho
04 – Se Todos Fôssem Iguais a Você (Tom Jobim / Vinicius de Moraes)
05 – Canção da Volta (Ismael Netto / Antônio Maria)
06 – Chove La Fora (Tito Madi)
07 – Duas Contas (Garoto)
08 – Foi a Noite (Tom Jobim / Newton Mendonça)

11 Comentários originais:

David Federman on Friday, 17 November, 2006
Good to have this back. Thank you. And bless you. I sent to Japan for “Bossa Balanco Balada” and it is, as I suspected it would be, a masterpice. No one sings Jobim with such depth of feeling. And her version of “Midnight Sun” may well be definitive.

Márcio de Souza on Saturday, 18 November, 2006
Puxa, muito obrigado, Zeca! Acabei de ouvir e entrei no Blog só pra agradecer a ti. Tenho me interessado muito pela Sylvia Telles, que já é uma das minhas intérpretes prediletas. Repertório de ouro tem esse álbum, hein? Confesso que fiquei meio assustado com a capa de estilo adocicado, tipo coisa de moça. Mas o conteúdo é fora de série e garantia de muitas audições daqui pra frente.

Grande abraço, tchê!

Alfredo on Sunday, 19 November, 2006
Maravilha. Agradeço o re-post.

Hideste on Wednesday, 25 April, 2007
Putz, só agora vi q vc fez um repost desta maravilha, Zeca. Da outra vez eu perdi a chance de pegar.
VALEU !!!
Abs

strangefruit on Thursday, 06 September, 2007
Oh, I agree that this is worth a repost!

Anonymous on Monday, 24 September, 2007
Olá Zeca. Não conhecia seu trabalho.
Parabéns. Porém como são muitos “posts’ o link :http://rapidshare.com/files/3409793/SylviaTellesCaricia-zl.zip
dá mensagem: FILE NOT FOUND
Socorra-nos, por favor
Fausto Neves

Edson Mendes on Monday, 05 May, 2008
Hi Zeca,
This is really an excellent (re)posting, but needs a little correction: – the male voice that sings with Silvinha in track n. 3, although is not credit on the disc label, is from her then husband, violonist Candinho.
This information is available on Ruy Castro’s book “Chega de saudade”, but more than this, it is different from Lucio’s voice.
Thanks and regards,

jorge mello on Monday, 05 May, 2008
O impecável bom gosto e a enorme capacidade interpretativa de Sylvia Telles (essa é a grafia correta) aparecem com grande destaque neste disco histórico.
São quatro músicas de Tom Jobim, cada uma com um parceiro diferente:
Dolores Duran,
Marino Pinto,
Vinicius de Moraes e
Newton Mendonça.
Duas músicas com a presença de seu ex,o violonista e compositor Candinho:”
"Tu e Eu”, samba canção do admirável flautista Altamiro Carrilho e Armando Nunes, música que abria e fechava o programa “Música e Romance” apresentado por eles na Tv Rio (veja “Chega de Saudade” de Ruy Castro), e o samba canção de Garoto, “Duas Contas”, com Candinho(discípulo do autor da música) ao violão.Para completar, o grande sucesso “Chove lá fora”, de Tito Madi e “Canção da Volta”, outro sucesso da dupla Ismael Netto(lider de Os Cariocas) e Antonio Maria. Um repertório soberbo, com o que havia de melhor nos anos 1955/56 e 57.

jorge mello on Monday, 05 May, 2008
Interessante comentar que Aloísio de Oliveira, produtor artístico da Odeon na época assim declarou no folheto que acompanha a coleção de discos “Bossa nova, sua história e sua gente”, quando ouviu a gravação de “Foi a Noite”:
“Eu estava definitivamente diante de uma coisa que não esperava encontrar. Era a bossa nova na sua maior expressão”.
(veja A Canção no tempo, vol 1, de Jairo Severiano e Zuza Homem de Mello, em “Foi a Noite).
Quando ouví esta composição de Tom e Newton Mendonça não percebí nada disso, nenhum vestígio da BN alí. O uqe vcs acham?

edson mendes on Monday, 05 May, 2008
Jorge Mello, você tem toda a razão. Aloysio declarou inclusive que na dúvida quanto ao gênero musical que publicaria no selo do disco 78 rpm que lançou Foi a noite (prática comum naquela época), preferiu omitir essa informação.
Não se entende o porquê, pois trata-se nitidamente de um samba-canção.

dubmusic on Monday, 12 May, 2008
This was a nice surprise – one of my fave singers on an album I did not know existed.
Many Thanks – muito abrigado, Zeca!

 

 

FLAC

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Luiz Bonfá & Norma Suely – A Voz e o Violão (1960)

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Originalmente postado no Loronix em 0 de maio 2008.
Comentários originais incluídos.

Hello, good evening! I hope you have the same surprise I had when I got this one from the hands of Jorge Mello. I had this one on my “impossible to find” category, but thanks Jorge, we can now heard and share our thoughts about it.

A Voz e o Violao was recorded in 1960 by Luiz Bonfá and Norma Suely, owner of a very interesting voice that easily goes to popular and classic territory. Everything else I have to say are only assumptions and guesses, but I can guarantee that we are in front of a really worth checking album.
Let’s see.

This is Luiz Bonfa & Norma Suely – A Voz e o Violao (1960), for Odeon, with Luiz Bonfa guitar in all tracks and Norma Suely singing on tracks 03, 06, 07, 09 and 11. Norma Suely discography accomplishes a few 78RPM and two LPs, which includes this once in a lifetime album with Luiz Bonfa and a 1964 Polydor release produced by Joao Mello and arranged by Lindolfo Gaya, definitively worth checking out.

This is only the tip of the tip of an arrow called Jorge Mello’s music. Stay tuned, have a nice Sunday and thanks for your continuous support to Loronix.

Tracks include:

01 – A Voz do Violão (Francisco Alves / Horácio de Campos)
02 – Luar de Agosto (Nilo Queiroz / Baden Powell)
03 – Vagotonia (Lamartine Babo / Reinaldo Dias Leme)
04 – Samba do Orfeu (Luis Bonfá)
05 – Tema de Amor (Luis Bonfá)
06 – Quando a Noite Vem Amor (Luis Bonfá)
07 – Nasci Para Te Adorar (Luis Bonfá)
08 – Noche Azteca (Luis Bonfá)
09 – Rancho de Orfeu (Luis Bonfá / Haroldo Costa)
10 – Manhã de Carnaval (Luis Bonfá / Antônio Maria)
11 – Amor Sem Adeus (Luis Bonfá / Tom Jobim)
12 – Variações (Luis Bonfá)

0 Comentários originais

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Lenita Bruno e Orquestra – Musica: Antonio Carlos Jobim, Poesia: Vinicius de Moraes | Por Toda Minha Vida (1959)

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Originalmente postado no Loronix em 27 de abril 2008.
Comentários originais incluídos.

 No RF&E já houve uma postagem sobre a música "Por Toda Minha Vida".

Aquela postagen fez parte da "Semana de Antonio Carlos Jobim no RF&E".

It is amazing how maturity makes us take things from a different perspective. That’s the feeling I had when took this album again for a hearing, perhaps after more than a decade interval.

My previous opinion was of a dated album, which got stuck in time through a style of interpretation and arrangements that was out of my preferences.

However, since the day Jose Matos gave it to our community, I take it for a spin every day. Thank you again Jose Matos. Now it is time to show it to Loronixers. Let’s see.

This is Lenita Bruno e Orquestra – Musica: Antonio Carlos Jobim, Poesia: Vinicius de Moraes | Por Toda Minha Vida (1959), for Festa, featuring arrangements by Maestro Leo Peracchi, Lenita Bruno’s husband at that time and not credited at the album due contractual obligations with Odeon. It is really nice to hear very different renditions of well-known Antonio Carlos Jobim and Vinicius de Moraes music with the beautiful Lenita Bruno lyric singing with the reduced, but perfectly adequate arrangements by Maestro Leo Peracchi. 

Maestro Radames Gnattali plays piano at Canta, Canta Mais, which is the track selected to Loronix Preview Center. I made several attempts to clean the back cover with no success; it brings liner notes by Antonio Carlos Jobim. You will find a version with no image processing inside the music. If someone skilled on Photoshop can make it, I will really appreciate.

Tracks include:

01 – Por Toda Minha Vida (Tom Jobim / Vinicius de Moraes)
02 – Serenata do Adeus (Vinicius de Moraes)
03 – Estrada Branca (Tom Jobim / Vinicius de Moraes)
04 – Soneto da Separação (Tom Jobim / Vinicius de Moraes)
05 – Valsa de Orfeu (Vinicius de Moraes)
06 – Canção de Amor Demais (Tom Jobim / Vinicius de Moraes)
07 – As Praias Desertas (Tom Jobim)
08 – Eu Sei Que Vou Te Amar (Tom Jobim / Vinicius de Moraes)
09 – Canta Canta Mais (Tom Jobim / Vinicius de Moraes)
10 – Modinha (Tom Jobim / Vinicius de Moraes)
11 – Cai a Tarde (Tom Jobim)
12 – Sem Você (Tom Jobim / Vinicius de Moraes)
13 – Eu Não Existo Sem Você (Tom Jobim / Vinicius de Moraes)

A música "Eu Não Existo Sem Você" é a música N° 3 no Rádio F&E do Martoni no SoundCloud aqui à direito da pagina.>>

4 Comentários originais

Anonymous on Sunday, 27 April, 2008
Prezado Sr. Zeca: Se eu diz que lhe agradeço enormemente este disco, não posso quantificar quão enorme esse enorme pode ser, pois em todos os aspectos é uma verdadeira beleza. Me alegra muito saber que tem reconsiderado sua opinião e isso é bom, já que a vida está cheia de formosos detalhes, mas só o passo do tempo nos ajuda a reconhecerlos e apreciarlos. Permite que eu lhe peço um pequenho favor: Quando você poda e tenha um pouquitinho de tempo ¿pode reativar o link de Lenita Bruno “Work Of Love”? Faz algum tempo que eu intentei baixar esse disco mas o link está desativado. A você lhe gosta Baden Powell e a mim me gosta Laurindo Almeida. A vida e assim, cheia de contrastes. Isso é o belo que tem e o que la faz bela. Uma vez mais agradecida. Grande abraço

Nina

Angela Chaloub on Monday, 28 April, 2008
Zé Mattos e Zeca,
Quero agradecer a vocês essa raridade em nome dos membros da comunidade JOBIMANÍACOS.
Estávamos a procura desse disco que é histórico.
O TEXTO DA CONTRA CAPA É DO TOM.
Vou colocar aqui o link referente ao texto:
http://www.jobim.com.br/cgi-bin/clubedotom/discfr.cgi?cmd=disco&url_disco=portoda/portoda.html
MaIs uma vez obrigada Zeca.

IvanMarkx on Thursday, 27 November, 2008
Ah! Conjugar Loronix com Angela Chaloub é causar ‘A Felicidade’ geral. Valeu!!!

Rodrigo Peracchi on Friday, 02 January, 2009
Olá amigo,
é tempo de comemorar os 50 anos desta verdadeira obra de arte!!!
Obra que trouxe afirmação aos grandes gênios da musica brasileira; interpretado magestosamente pela diva Lenita Bruno( e pensar que Nara Leão é lembrada como a musa da bossa nova…); uma pena que o esquecimento tenha pairado sobre aqueles “a quem não tenho permissão para citar nesta contracapa(…)”
Parabéns pela memória e pelo Blog!

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Paulo Freire – Orgao + Batucada = Samba (1978)

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Originalmente postado no Loronix em 13 de abril 2008.
Comentários originais incluídos.

Hello, good evening! I’m really satisfied with the quality of the music we had at Loronix across the last days.

The idea is to slow down a little bit the release of new music and keep a strong pace on links reactivation. I think this new approach is really good, as the feedback received has been positive with no exceptions.

Anyway, today is Saturday and we need some relaxation, after all, Saturday is the day of Samba at Loronix.
Let’s see.

This is Paulo Freire – Orgao + Batucada = Samba (1978), for Copacabana, featuring the Brazilian organist Paulo Freire, probably unknown to many friends. Paulo Freire delivers infectious Samba grooves on top of a Samba repertoire full of very popular songs. I must admit this album is my first experience with Paulo Freire, which is some kind of late Andre Penazzi, very active on recordings throughout the 70′s. This album works according to what is proposed to be and I believe it is a great treat for those who like organ playing with Samba rhythm.

Tracks include:

01 – Ilha de Maré (Walmir Lima / Lupa)
02 – Osso Duro de Roer (Benito di Paula) Assobiar Ou Chupar Cana (Benito di Paula)
03 – Mulher à Brasileira (Luis Ayrão)
04 – O Que Será (Flor da Terra) (Chico Buarque) Meu Caro Amigo (Chico Buarque / Francis Hime)
05 – O Que Você Tem Garota (Jorginho do Império / Dico da Cuíca)
06 – Vou Levando Meu Canto (Nerino Silva / Marinaldo)
07 – Vai Ou Não Vai (Martinho da Vila)
08 – Quando Será (Zé Rodrix / Livi)
09 – Propagas (Jorge Lucas)
10 – Olho Por Olho (Daniel Santos / Zé do Maranhão) Oi Compadre (Martinho da Vila)
11 – O Barba Azul (Chico da Silva / Venâncio)
12 – Coisa da Antiga (Wilson Moreira / Nei Lopes)
13 – Black Samba (Voltaire / Antônio Carlos) Saco de Feijão (Francisco Santana)

1 Comentários originais:

Anonymous on Monday, 27 October, 2008
Let us not confuse our Paulo Freire(s)(disambiguation)
http://books.google.com.br/books?id=xfFXFD414ioC&printsec=frontcover&dq=Paulo+Freire&source=gbs_su

 

 

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Varios Artistas – Introdução (1965)

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Originalmente postado no Loronix em 23 de abril 2008.
Comentários originais incluídos.





Hello, good evening! There is a curiosity behind this post and this album, I will tell you.

This is a contribution made in December 2006 by our great friend Caetano Rodrigues and at that time, I could not understand what was behind this album, except the concept of presenting new artists, which is quite clear through the title, Introducao. However, I did not understand the reason of the phrase “Teenager Series” in the lower right.

We received this week the visit of Juliana Mingotti, who said to be looking for this album for a couple of years. Juliana is the daughter of Wagner Mingotti, author of the first track and pianist of Wan Trio, participating also at the second track as bassist. Wan Trio is the best this album has to offer, recorded by Wagner Mingotti when he was sixteen and probably, all others are below eighteen.

In a quick search, I could realize that Silvinha was the participant that could develop a solid career and according with Juliana, Wagner Mingotti decided to terminate his artistic career after recording this album, which is again available for everyone to know the work of Wagner and all artists at this session. I am keeping the original text, with some modifications.
Let’s see.

This is Introducao (1965), for Mocambo, a unique opportunity to listen for the fist time several artists that we never heard before, such as: Wan Trio – Bossa Jazz, Patricia – Singer, Impulso 4 – Bossa Jazz (this one everybody knows), Tony Carbonell – Instrumental, Quinteto Berimbossa – Bossa Jazz, Joao Paulo – Singer, Silvinha – Singer, Octons – Instrumental and Ezequiel – Singer. Most of these artists were probably not successful on their careers and this is what makes this LP a very interesting piece.

Tracks include:

01 – Selvagem (Wagner Mingotti) – Wan Trio
02 – Onde Está Você (Oscar Castro Neves) – Patrícia
03 – Morte de Um Deus de Sal (Roberto Menescal / Ronaldo Bôscoli) – Impulso 4
04 – Desarmonia (Tony Carbonell) – Tony Carbonell
05 – Blues Walk (C. Brown) – Quinteto Berimbossa
06 – História de Duas Crianças (Tony Carbonell / Hernesto Domingues) – João Paulo
07 – Maria Moita (Carlos Lyra) – Silvinha
08 – Tokio’s Blue (H. Silver) – Octons
09 – Paz e Amor (Ezequiel Silva / João Magalhães) – Ezequiel
10 – A Felicidade (Tom Jobim / Vinicius de Moraes) – Quinteto Berimbossa


0 Comentários originais

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Márcia – Eu e a Brisa (1968)

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Originalmente postado no Loronix em 15 de abril 2008.
Comentários originais incluídos.

Hello, good evening! I thought life would be much easier making a single post daily to leave the rest of the time to the activities for the reconstruction activities. However, in practical terms, this daily pick has been very difficult (and of course, very funny). This is all about balance and taking a look on previous releases

I think it is time to make a Bossa Nova album performed by a female singer, breaking the sequence of instrumental albums of the last few days. I hope we all enjoy this one
Let’s see.

This is Marcia – Eu e a Brisa (1968), for Philips, which is the debut LP of this really important and unfortunately underated artist. Marcia performed with great artists like Vinicius de Moraes, Paulo Cesar Pinheiro and her long time partner Baden Powell.

This album has also important for being the first recording of Johnny Alf’s Eu e a Brisa, previously performed by Marcia at III Festival da Musica Popular Brasileira (1968).

The back cover brings liner notes written by Flávio Cavalcanti, who decided not to mention anything about the musicians, just making comments about Marcia.

Tracks include:

01 – Eu e a Brisa (Johnny Alf)
02 – Pra Machucar Meu Coração (Ary Barroso)
03 – Canção Que Morre no Ar (Carlos Lyra / Ronaldo Bôscoli)
04 – Se a Gente Morresse de Amor (Lindolfo Gaya / Helder Camara)
05 – É Preciso Dizer Adeus (Tom Jobim / Vinicius de Moraes)
06 – Passa Por Mim (Marcos Valle / Paulo Sergio Valle)
07 – A Volta (Roberto Menescal / Ronaldo Bôscoli)
08 – Samba da Pergunta (Pingarilho / Marcos Vasconcellos)
09 – Dorme Profundo (Pingarilho / Marcos Valle)
10 – Aula de Matemática (Tom Jobim / Marino Pinto)
11 – De Você Eu Gosto (Tom Jobim / Aloysio de Oliveira)
12 – Eu Também Preciso de Você (Silvinha Telles)


Martoni: Márcia = Márcia Elizabeth Raimundo Barbosa!

 

1 Comentários originais:

Anonymous on Wednesday, 16 April, 2008
Márcia, eu e a brisa…
Disco magnifico..repertorio de primeira, arranjos arrochados e uma voz sem igual

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